Grade B+
White Rabbits? It’s more like wild horses the way these songs gallop over the horizon, kicking up swirls of dust and gaining speed the closer they get. Before they’re even in full view you can fell the ground rumbling. Its not the shaking of an Earth quake, it’s the beating of steady foot stomps. White Rabbits is a 6 man wagon train that’s found itself in a frontier town called Brooklyn, NY and they’re here to strike it rich with their debut Fort Nightly. They’ve come clear across the Mid West prairie and managed to keep the wide expanse of the plains in their sound, faced with a city where you can’t go a mile without turning a corner. When these guys saddle up you can tell they like to ride hard. I doubt they would trample an old lady but they’ll barrel headlong down a dark alley without knowing where it empties out. Talk about a sense of direction. Just when you think they’ve taken a wrong turn, they get you home safe and sound.
In reality, the entire band lives in a loft that doubles as a rehearsal space and the sense of togetherness this must create clearly holds the somewhat messy affair together. A loose Clap Your Hands Say Yeah jangle lets the whole thing tumble around in its shell but unlike that band you never get the sense that White Rabbits might rattle to pieces. It all comes down to confidence. Every one of them is sure of their abilities but still smart enough to realize their real weight comes from standing together. On the first song they set the stage for the rest of the album. A short but steady guitar strum lays the ground work for the heart and soul of the music to come surging forward and drive things ahead. Heart : drums :: Soul : piano.
Nearly every song hangs its drama on the skeleton of these two instruments and considering the theatrics White Rabbits are inclined to indulge they have to be fairly robust to support the weight. Opener “Kid On My Shoulder” is a dizzying number that builds through 2 verses of ascension before bursting wide open in 3 part harmony that literally drips down the track. Nimble and deceptive, you don’t hear how sinister it really sounds until you catch yourself singing out loud. It’s a testament to the band’s inventiveness that they keep you snapping your fingers to some fairly dark material without once falling back on callow irony. They pull this off in part through the latin and ska infused pulses that swing below a number of the tracks. You can feel the slinky heat of both these styles across the album with White Rabbits even name checking The Specials and Madness in their bio. “While We Go Dancing” has them kicking up their heels for a little sophisticated skanking before gliding right into the tango of “I Used to Complain Now I Don’t”. The vocals spread the icing on the cake. Standing out in the mix, the clever melodic lines and layered harmonies give off a glimmer of Queen operatics, with all the grand surprises that implies.
Fort Nightly is anything but country and yet more than a little western. The remote eeriness, the charging rhythms, and the saloon piano all give off a borderland vibe. The band is new to the music scene and still exude a wild, untamed spirit. Lets hope the city doesn’t encroach too far into their territory and smog things up. New bands with so much to offer are a breath of fresh in an over clogged scene and deserve protection as such.
MP3: White Rabbits – “While We Go Dancing”
MP3: White Rabbits – “I Used to Complain Now I Don’t”
July 27, 2007
Categories: The Whole Story . . Author: underneaththebridge . Comments: Leave a comment